A B O U T

There is something in pyrite that resembles an intention. Its nearly perfect cubes, its regularity within geological disorder, its precision that no one designed: it is from this astonishment, first experienced in 2018, that Stanislas Garaud works. Not to reproduce what nature produces, but to understand why it produces it so, and to draw from it a formal language of his own.

Sculptor and designer, he has since built a body of work with two entry points. His sculptures, including the Pyrite series now held in private collections in France and internationally, explore mineral geometry in all its rigour. His exceptional furniture — tables, consoles, lighting — extends the same formal logic into inhabited space, at the boundary between art and design. Both practices belong to the same universe: a coherent vocabulary, immediately recognisable.

hapax is the natural culmination of this approach, and its tipping point. Where the rest of the work starts from universal laws to produce forms, hapax starts from a singular existence to produce a unique object. A life becomes the formal programme of a piece that could belong to no one else. The same rigour, in the opposite direction.

Portrait Stanislas Garaud, reflet miroir, forme géométrique
Portrait Stanislas Garaud, reflet miroir, forme géométrique

" Nature repeats its laws, never its forms. That is the space where I work. "

© Christine Vienne

Wulfenite naturelle de couleur ambre, sur roche
Wulfenite naturelle de couleur ambre, sur roche

Every piece begins with a phase of observation. Not the observation of a form to reproduce but of a logic to understand: how nature structures matter from within, how it distributes forces, how it produces geometry without apparent intention. Mineralogy, botany, physics, even astrophysics. These disciplines are not aesthetic references, they are ways of seeing what the eye alone cannot perceive.

This observation feeds a reflection that can last months before the hand of Stanislas Garaud intervenes. What results is not a representation of Nature, it is a response to what Nature knows how to do, formulated with the means of contemporary sculpture and design.

The laws that govern matter precede all human intention. The work of Stanislas Garaud is situated exactly there: starting from these laws, understanding them, and translating them into a resolutely contemporary formal language.

The Approach

Détail d'une jeune fronde de fougère en spirale
Détail d'une jeune fronde de fougère en spirale

The Work

A R T

The Pyrite series and wall sculptures. Forms born from the geometry of Nature, held in private collections in France and internationally.

Console Pyrite en noyer et laiton poli, cubes imbriqués et tronquésConsole Pyrite en noyer et laiton poli, cubes imbriqués et tronqués
D E S I G N

Tables, consoles, lighting. Exceptional pieces where the formal logic of sculpture becomes inhabitable object.

hapax

A unique piece conceived from your life. More than simply bespoke. Something else.

J O U R N A L

Twelve texts written from the studio. On form, material, craftsmen, and the questions that work raises without ever quite resolving them.

Détail Sculpture Pyrite polychrome sur socle blanc, appartement parisien murs blancsDétail Sculpture Pyrite polychrome sur socle blanc, appartement parisien murs blancs
Détail meuble hapax en laiton brossé et marbre noirDétail meuble hapax en laiton brossé et marbre noir
Détail atelier Stanislas Garaud, pinceaux, brosses, pots de pigments purs Sennelier sur cheminée marbre noirDétail atelier Stanislas Garaud, pinceaux, brosses, pots de pigments purs Sennelier sur cheminée marbre noir
Gros plan d'un cristal de Bismuth
Gros plan de Cubes dorés de Pyrite naturelle, sur roche